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Issue no.23 |
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Apture
– future of storytelling "
You can see it reflected
in the ways technical teams at these big news sites usually
"contextualize the news" --
the features they think are important that don't take story-telling or
editorial taste into account. They
automatically highlight key terms on a page and link to content. When readers see it, they click the
link, but instead of getting more information about the thing they clicked on
(what the reader wants), they're taken to a page with the last 10 new
articles that mentioned the clicked phrase. Computer scientists love that stuff because it's obvious.
It's the first thing that comes to your mind, if you think in terms of of
computation -- show me stuff related to this, search this word against this
body of text. But what the
reader wants is: Give me relevant
information about what I just clicked, right now. They don't want
search results. ...They don't want to be taken away from what they're
reading. That's unintuitive. So that's exactly what we went after." Co-founder
Tristan Harris What
does it mean for the rest of the business? This idea is applicable to every
aspect of our digital life. User generated content is one thing but reliable
edited content from professionals has its unique value that is affecting
brandsÕ credibility and strengthens their position. While treating user like
a machine that requires minimum input, puts it in a grave danger. Feeding
user with pre-processed, recycled, digested and outdated generic content may
make customer to ignore the brand. And there is nothing more scary then
silence. This
weekÕs special – can you picture that? ŌThousands
of UK residents have signed a petition against a law preventing photography
and filming in certain public places. Yet this all turned out to be a
misunderstanding, and no such law was proposed. Rajesh investigates the way
we view the lens and the way it views us.Ķ Interesting to see that what can
and canÕt be filmed isnÕt even clear to the authorities. |
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Britain's
first eco-nightclub powered by pounding feet Cyclists
and walkers get free admission and the dance floor is so high-tech it
generates its own electricity when people move on it. The
brainchild of 35-year-old property developer Andrew Charalambous, aka Dr
Earth, Surya has its own wind turbine and solar energy system. They plan to
donate any surplus electricity to local residents. The
venue has the latest air flush, waterless urinals and low flush toilets and
sells drinks in polycarbon cups. |
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amalia
house by grid architects |
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Any feedback? Want to subscribe? Email to: adam.buczek@joshua-g2.co.uk